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Blade of Fire: The Icemark Chronicles, by Stuart Hill
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Following THE CRY OF THE ICEMARK, a huge success in England and critically acclaimed in the U.S., the second epic adventure in The Icemark Chronicles.
Many years have passed since Queen Thirrin and her allies defended the Icemark against a brutal invasion. But now General Bellorum is back, along with his bloodthirsty spawn, twin sons even more vicious than him. Thirrin and Oskan also have a family: two girls and three boys. But darkness lurks within the House of Lindenshield: Medea, the couple's cold-hearted, fifteen-year-old daughter, who's just coming into her magical powers, may be the downfall of the kingdom. It's up to her brother, Charlemagne, crippled by polio as a child, to return from exile and rescue the land he loves.
- Sales Rank: #378114 in Books
- Color: Hardcover,
- Published on: 2007-01-01
- Original language: English
- Number of items: 1
- Dimensions: 1.90" h x 6.00" w x 9.10" l, 2.03 pounds
- Binding: Hardcover
- 584 pages
From School Library Journal
Grade 5–8—In this story set 20 years after The Cry of the Icemark (Scholastic, 2005), Queen Thirrin and Oskan Witchfather now have five grown children who make up the royal House of Lindenshield. The book mainly focuses on Charlemagne, their youngest child. His greatest desire is to be a warrior and to defend his kingdom like all of the other members in his family. Unfortunately, he suffers from a physical ailment as a result of polio, which prevents him from satisfying his dream. To make matters worse, war has been waged between Icemark and its chronic nemesis Scipio Bellorum. Charlemagne is exiled for protection but leaves with the mystical promise that he will save Icemark from ultimate destruction. At the same time, his 15-year-old sister, Medea, begins using her magical powers to side with the enemy. What results is a typical high-fantasy novel complete with epic battles and a fight between good and evil. The characters contain little depth, and their actions are predictable despite situations that lend themselves to vast, creative transformations. Although fans of the first book may find pleasure in learning more about Queen Thirrin, this novel does not stand alone, often succumbing to trite plotlines and slow pacing. Readers of fantasy are more apt to enjoy Cornelia Funke's Inkheart (Scholastic, 2003) or one of the other novels from the increasingly abundant genre.—Marie C. Hansen, New York Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Icemark's polio-scarred Prince Charlemagne sees himself as the "limping runt in a family of warriors" but comes into his own when his parents send him abroad to accompany refugees fleeing war. Horizons broadened by foreign cultures, Charlemagne forges alliances that echo those made by his redoubtable mother 20 years earlier in The Cry of the Icemark (2006).Epic in scope, the high-fantasy action moves right along, and the coming-of-age struggles of Thirrin and Oskan's offspring are sufficiently engaging to allow newcomers to the Icemark Chronicles to step in midstream. Jennifer Mattson
Copyright © American Library Association. All rights reserved
Review
Kirkus
A huge (in every way) disappointment, this bloated sequel to Cry of the Icemark (2005) bogs
down a tale terrific at its core in a mire of uninspired subplots, unnecessary explanations and
predictable set pieces. Twenty years later, crazed general Scipio Bellorum is again massing troops to
invade the chilly Icemark. Suspecting that not even her nonhuman allies will be enough to turn the
tide this time, Queen Thirrin sends Charlemagne, youngest of her five children, overseas to safety–
but “Sharley” has other ideas, and even though hobbled by both polio and adolescent lack of
confidence, he embarks on a quest to find new allies. Watching him grow, mature and meet new (if
not particularly original) peoples provides the same fascination that his mother's similar journey
supplied in the previous episode. Compelled to give nearly every character a point of view, though,
Hill keeps putting Sharley's part on hold while cycling tediously through an unwieldy Icemark cast.
Eventually the foes all come together, Sharley charges in with dark-skinned armies from “Arifica”
mounted on horses and zebras, the cardboard villains are washed away in fountains of blood and
Sharley's truly bad-apple witch sister Medea is dispatched to another dimension–doubtless to await
the next sequel. Some good parts, but not enough to meet expectations. (Fantasy. 11-13)
Most helpful customer reviews
4 of 4 people found the following review helpful.
Couldn't put it down!!
By TiaM
OK, so I liked Cry of the Icemark a *little* bit better- mainly because Thirrin is just an amazing heroine... But I loved this book, too! My thanks to Stuart Hill for bringing yet another heartwarming, amazing book into my life!
0 of 0 people found the following review helpful.
another brilliant work by stuart hill
By M. Makay
the first book was a page turner, the second book is a page turner. can't wait for the third to come out. Stuart Hill mesmerizes his readers.
7 of 7 people found the following review helpful.
Awesome: great writing, cool characters, excellent pacing
By Julie
Yes, the Cry of the Icemark was better. I definitely liked Thirrin and Oskan better as teens. That said, however, as far as sequels goes, this book gives the first a good "run for the money". I've a few minor nits about the strength of motivation for certain characters' evilness, but for the most part, the characterization is ultra fitting. I will have a more detailed review later, for now, suffice to say, "BUY THIS"! Look, it vexes me to no end to see ultra crap (like certain dragon containing books) do well in sales when well-written stuff like Cry of the Icemark and Blade of fire languishes on the virtual "shelves".
Plot: Decent...fairly straightforward, but still exciting and contains a few good twists.
One more note: the sense of pacing is amazing. The plot being as it is holds the potential to plod on forever, but the pacing keeps it moving. There are nice descriptions of things, but no endless sections of sand describing, thank the Goddess, Moonmother, One, and other deities.
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