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Being, by Kevin Brooks
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"The Fugitive" meets "Blade Runner" with a Kevin Brooks kick in this heart-stopper about a boy who discovers he's not one hundred percent human.
It was just supposed to be a routine exam. But when the doctors snake the fiber-optic tube down Robert Smith's throat, what they discover doesn't make medical sense. Plastic casings. Silver filaments. Moving metal parts. In his naked, anesthetized state on the operating table, Robert hears the surgeons' shocked comments: "What the hell is that?"
"It's me," Robert thinks, "and I've got to get out of here." Armed with a stolen automatic and the videotape of his strange organs, he manages to escape, and to embark on an orphan's violent odyssey to find out exactly who--exactly what--he is.
- Sales Rank: #1201840 in Books
- Brand: Brooks, Kevin
- Published on: 2008-02-01
- Original language: English
- Number of items: 1
- Dimensions: 7.15" h x .76" w x 6.93" l, .59 pounds
- Binding: Mass Market Paperback
- 352 pages
From School Library Journal
Grade 9 Up—A lonely teen, Robert Smith finds himself involved in events totally out of his control. A foster kid with a stomachache, he arrives at the hospital alone for a routine endoscopy. Not fully anesthetized, he hears the doctors claim that his insides aren't human. Unidentified men with guns swarm in, Robert bolts, and finds himself on the front page of the newspaper accused of stabbing one of the doctors. His subsequent flight begins a grisly string of events where murder, alcohol, and fear abound. Conveniently the one person Robert runs to, Eddi, the ex-girl of an acquaintance's brother, not only takes him in but is an expert in creating fake IDs. With a duffle full of cash from her business, they escape England to her house in Spain. In Tejeda, the young people find love and begin a "normal" life together until the men in suits show up and destroy it all. Scattered throughout the novel are Robert's existential questions, "How do I know anything is real?" This is surreal science fiction with a dismal ending. Loose ends abound, so many that readers are left feeling cheated. Who or what Robert is are never made clear; nor is the identity of the men who are after him.—Kathy Lehman, Thomas Dale High School Library, Chester, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
HB
During a routine endoscopy, a doctor finds something inside Robert that makes no sense -- metal filaments, pipes, and wires, all hidden under a casing designed to fool such mundane exams. Escaping the sinister men who order a doctor to "cut that thing open," Robert teams up with Eddi, a charismatic thief with her own agenda. Being operates at top speed, at once a conventional chase adventure, a psychological thriller, and a romance. While the duo alternately hides and flees, Robert struggles to come to terms with his apparent inhumanity; and as his relationship with Eddi evolves from distrust to companionship (an element of sweetness that lightens an otherwise bleak tale), he uses it to convince himself that he's just like everyone else: "I looked like a human. I thought and felt like a human. Did it matter that I wasn't a human?" Poetic descriptions of Robert's mysterious hardware are terrifying and beautiful -- within him resides "a subatomic dome, a dark cathedral, a perfect abomination" -- and shade the book with a tense self-loathing. More than his pursuers, Robert is running from himself. A lifelong foster kid, both his street smarts and vague past are entirely believable, making his disorientation that much more powerful. Brooks takes the fantasy of being special -- Robert is uniquely strong and possessed of a singular, if shrouded, heritage -- and mines its dark side with grit, compassion, and intrigue. CLAIRE E. GROSS
Kirkus
During a routine exam, 16-year-old Robert Smith feels the scalpel's slice and helplessly views
metal and plastic parts inside his stomach wall. Who, or what, is he? Like a character from Robin
Cook's medical thrillers, the teen breaks out of anesthesia, throws down with the bad guys and
executes a daring escape. Trusting nobody, Robert decides to hide out with Eddi, a former
acquaintance. His protector is a 19-year-old master criminal running her own fake ID business. Here
the story grinds to a glacial pace and the author turns his suspense story into a character-driven work.
Over 200 pages feature Robert droning on about his current dilemma, mysterious background and
destiny. Eddi and Robert have roles more like cloak-and-dagger spies than frightened teens, and
conflicts are easily solved. The story limps along until the final 18 explosive pages. After being teased
by early suggestions of an action story, readers may be satisfied by the gruesome ending. However,
it's more likely that once the opening premise fades, teens will give up on this title. (Fiction. YA)
. . .
PW Starred
Brooks's (The Road of the Dead) latest novel wraps high-speed, adrenaline-laced adventure around a thought-provoking exploration of the very nature of identity and existence. A routine endoscopy goes terribly wrong for 16-year-old Robert when the camera discovers that the boy's belly is filled with a network of mysterious, inhuman machinery. Rousing himself from deep anesthetization, Robert calls on hitherto untapped inner powers to escape from a steely-eyed and sinister man called Ryan and others who seem to have been called in from a covert government agency. Robert finds himself accused of murder and, in desperation, lands on the doorstep of Eddi Ray, a young woman who specializes in producing thoroughly documented false identities. Soon Robert and Eddi flee the English chill and gloom (so vividly evoked by Brooks that the icy drizzle is nearly palpable) for a new life-and eventually romance-in sunny southern Spain. A tantalizingly open-ended conclusion invites speculation long after the book's finish. Though readers who have patiently waited for the answer to whether Robert is "robot, automaton, android, cyborg, beast, machine, [or] alien" may initially be frustrated, they will likely be satisfied by an ending that feels true to his character. Expect a wild ride from this
About the Author
Kevin Brooks is the groundbreaking author of the internationally acclaimed novels DAWN; BLACK RABBIT SUMMER; BEING; THE ROAD OF THE DEAD, a Mystery Writers of America "Edgar" nominee; CANDY; KISSING THE RAIN; LUCAS; and MARTYN PIG, which received England's Branford Boase Award for Best First Novel. Brooks lives in Yorkshire, England.
Most helpful customer reviews
0 of 1 people found the following review helpful.
Book for school class
By M. Lemley
Required reading for high school freshman English class. Was a pretty good read but weird...
0 of 0 people found the following review helpful.
Ended up being more philosophical than I had expected but I still enjoyed it.
By Paul D
So, you’re sixteen and you’re having some stomach pain. Your foster parents have to work so you go to the doctor’s appointment by yourself. It’s just routine they said. No big deal. So why not right? It’s just a simple fiber-optic camera down the throat. What could go wrong?
When Robert Smith wakes up during the middle of the procedure and learns his insides are wires, oil, pumps and plastic, he begins a long struggle to get some answers but more than anything he just wants to continue Being human.
Bad men with guns are now after him. Everyone he knows seems to be disappearing. So Robert runs.
Much of the story revolves around the stress and excitement of Being chased by some all powerful government group. But the real underlying message is a philosophical one. Do you have to be flesh and blood to be human, to be a real person.
Have you seen inside yourself? Do you know what you’re made of inside? Are you flesh and blood or plastic and oil? Does it really matter?
3 of 3 people found the following review helpful.
A true hardboiled crime suspense story
By Mark Louis Baumgart
After reading "Road Of The Dead" I immediately picked up his next novel "Being". The best advertisement for an author's books is quality. Write a good book, and people will want to go and pick up your next one.
While I like a good hardboiled crime novel, and while "The Road Of The Dead" was a very good one, the whole astral projection thing was way overdone. Here, in "Being", the "super"natural element is the whole point, and is so much more organic to the plot, and it works. Yeah, it really does.
Sixteen-year-old foster kid Robert Smith goes to the hospital for some routine tests for a possible ulcer. He's put under for the tests by the anesthesiologist, only to be constantly woke up by a "something" inside of him. As he wakes, he hears snatches of conversations in which he learns that there is someTHING inside of him, and someone (David Ryan) wants it cut out of him regardless of the cost to Smith. He breaks out, taking anesthesiologist Kamel Ramachandran as a hostage. Robert decides to go to Sainsbury's railway station, where he lets Kamel go and takes a train to anywhere, and uses a credit card he had lifted from Ryan to book a hotel room. It's here that he watches a videotape that he had also lifted from Ryan, which shows exactly what's inside of him, and it ain't pretty. And it ain't human either, and as Robert has found out, it can communicate with him, and it can heal him with remarkable speed. Robert is also becoming SOMETHING else, and Robert's current circumstances are making him violent and dishonest, and he doesn't like that either.
Then Ryan tracks him down, and in escaping he realizes that he has to find a place to hide after finding out that Ryan has had Kamel and the surgeon killed. Robert remembers that an old mate, now dead, of his used to know a woman (Eddi) who specialized in making false IDs. He goes there and things get messy, and in the end he takes her hostage. One thing leads to another, and don't they always, and Robert tells Eddi what's happening, and slowly Eddi realizes that Robert is telling the truth, and that she and Robert are going to have to go on the run together to survive.
They also realize that they are going to have to leave the country to survive. Like "The Road Of The Dead" this is hardboiled crime novel with something extra, but that something extra truly works here and gives this novel a reason to exist.
Ryan is unrelenting, Robert and Eddi are hunted, even while they are building a new life together. Again, Brooks truly understands the rules of NOIR and the hardboiled story method. Stories like "Being" may not always have a clear or a happy ending. We may or may not ever know exactly what is inside of Robert, but, we don't need to, that's all part of the rules of the hardboiled school of writing.
Like "The Road Of The Dead", Brooks doesn't talk down or patronize his audience, he doesn't preach any great moral lessons, he doesn't shy away from the violence, nor does he dwell on it; there are sexual situations, governmental menace, paranoia, and nobody ever gets punished for the crimes they do. This is a crime novel with superscientific elements that just gets darker and darker. This is a top-flight, hardboiled, dark crime and science-fiction novel that may not be for the very young, but those that are looking to upgrade from the common juvenile should love it.
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